Becoming a producer is moderately challenging and producing movies is an aesthetic process. If you are wondering how to become a producer then firstly you will have to consider obtaining a major in business and liberal arts.

By having an academic qualification you will be able to better manage any projects that are posed to you as well as perform adequately in business matters.

A producers responsibility is to raise the finances for a film project, oversees the idea development, selects scripts, hires the actors and crew members and chooses the directors. You will need drive, creativity, have an excellent stress tolerance and a sound knowledge of the film industry as well as good business sense. You will also need experience as a director in the industry before you can become a producer.

It is relatively important that you read up about the film industry as well as watch as many movies as possible. There are several different paths to becoming a producer and one is obtaining a four year BA or a BA Fine Arts in producing from a recognized university or college. It is also wise to choose elective courses in finance, marketing and business administration.

While you are studying it would be in your interest to gain work experience in an agents office or theater. Once you have obtained your degree you will need to complete an internship with a movie production company. During your internship you will gain exposure as well as gain referrals and contacts in the industry.

During your internship you will not only gain experience but you will be able to create a networking as this is a highly competitive arena. Bear in mind that it is important to make connections with the film industry professionals and know who is who in the industry to become a successful producer.

One of the best ways to break into film is by working as a PA or production assistant. The best this about being a PA is you get to see the inter workings of a film production first hand. Unlike film school, you get real circumstances that occur on and off the set that are always different which cannot be described in the classroom.

Another great way to be a producer in a movie is to hook up with a production that is seeking interns or funding. It sounds funny for people in other industries to hear that you might actually work for free or even pay for your involvement but that fact is, Hollywood is a tough gig and you need to get your foot in the door anyway you can sometimes.

While there are several different takes on the best kisses on the big screen, and the list could go on for miles and miles, the five best movie kisses would have to start with:

The Fifth Element. The kiss between Bruce Willis and Milla Jojovich is probably the sexiest science fiction kiss ever on film. Highly stylized and unexpected, it is a kiss of rebirth, literally. Perfect and with two beautiful people, the directors got that one right. If you haven’t seen the movie, at least look up the kiss online!

Another great kiss would be when Shrek kisses Fiona and she gets the form of her true love. This changed fairy tales forever. Most fairy tales exist with the notion that the princess is perfect and beautiful, and even Fiona herself believes she is hideous when it turns out she is a pretty hot ogre. Seeing this kiss brings tears to one’s eyes and a collective sigh of relief from women all over the world, ahhhh, we don’t have to be perfect to be loved! What a wonderful message from a kiss.

Spider-man’s kiss upside down and in the rain is all around attractive. All wet and sexy and full of excitement and danger, Spidey gets his kiss from his childhood crush and the cinematic beauty of it really hits the spot. While exhibiting a huge gross factor for most kids, at least the mom’s that have to suffer through the comic book genre movies get a little bit of a kick out of this hanging kiss. And the theme continues throughout the series, creating a little story line based on a kiss, how cute is that?

Now horror movies typically aren’t known for their kissing, but there have been several awesome kisses filmed with evil intent in mind. By far the sexiest is from Brad Pitt in Interview With a Vampire. First of all, vampires weren’t so popular when the film was made, in fact it probably set the stage for all the heart- throb teeny bopper vampire romances today. Yet in Interview With a Vampire, when a vampire kisses it is beautiful, artistic, sexy and then the character is dead.

The last great kiss of cinema has to go to the Disney cartoon Lady and the Tramp. When Tramp gets the alley set up for his date, how cool is that, he has the hook up? They are munching on their spaghetti with meatball dinner, sharing it like dogs would and accidentally kiss while slurping up the same noodle. Very sweet and unexpected and chaste enough for a G audience.

The year’s biggest grosses are the usual fare. Big blockbusters, films targeted at children and 3-D fests. In fact, the highest grosser is all of the above. The second part of Harry Potter and the Deathly Hallows sold $375.5 million worth of tickets to beat out every other competitor this year. It is most likely going to hold that position to maintain the year’s highest grosser title. Well, until the next Twilight film is released. Harry Potter 7.2 surpassed Lord of the Rings: The Return of the King to become the 13th highest grosser of all time.

The wizard had to fight off competition from Transformers: Dark of the Moon, which had been released a month before HP. Transformers has so far managed $350.5 million out of the U.S. market. Hangover 2 comes in third, with almost $100 million less. The film’s prequel, which had also shattered box office records two years earlier, achieved a feat comedies rarely do nowadays, sitting up there with the fantasy, action, adventure films. Bradley Cooper and his fellow misfits pulled in $254.4 million.

The wolf pack is followed by the Johnny Depp minting machine. Pirates of the Caribbean: On Stranger Tides’ $240.8 million was enough to see it take the fifth spot. Fast Five, a once loathed franchise came back with unexpected critical acclaim and a $209.8 million reward for its troubles. Number six is hardly a bomb by any standards but when it’s from Pixar, then the bar is raised. The studio’s last film, Toy Story 3, was 2010′s biggest money-maker. Cars 2 received lukewarm reviews but still managed to collect $189.2 million.

The year’s first summer offering and adaptation of the comic book of the same name, Thor, posted positive results making $181 million guaranteeing a sequel. Another comic book adaptation and fellow Avenger, Captain America, followed closely with a $172.2 million. The second comedy in the Top 10 is the only original, non-sequel film in the list. Bridesmaids manages a rare and admirable feat, especially for a first-time feature director and a relatively unknown all-girl main cast. Paul Feig’s debut brings in an unprecedented $168.5 million to claim the ninth spot.

Rounding up the Top 10 is a film by another first-time director, though the film itself is a sequel. The second installment of Kung Fu Panda pulled in $164.8 million dollars to make Jennifer Yuh Nelson the highest-grossing female director in the history of film.

Most of these films are still showing in some theatres and pulling in money. The summer standings are unlikely to change but the films will definitely add to their tally. Summer being a prime season for releases, the films do not expect a lot of competition. But the release of Twilight: Breaking Dawn is definitely going to shake things up.