Better Fall Photos in a Few Easy Steps

By John Pitts

Fall is upon us and that means it’s time to take some memorable foliage photos. The turning leaves create vibrant multicolor scenes that almost photograph themselves. The vivid gold, orange, green and red colors provide many photographic possibilities, but it’s up to the photographer to capture and frame these elements into a pleasing pieces of art.

Professional photographers, using high-end equipment have produced breathtaking views of fall, but if you do your homework and follow a few simple steps you can do the same even with a modest camera.

Location, Location, Location

The first and most important step is to carefully choose your locations. Ideally this should be done before the leaves start to turn to give you more prep time, but as with most things, it’s better late than never.

It’s best to find 3 to 5 locations close to, or on the way to where you live or work. This approach gives you options and also allows you to quickly take advantage of ever-changing light and weather conditions.

Choose locations that have a variety of tree species. The contrasting colors combined with the proper light can provide a gorgeous setting. The times just after sunrise and early evening generally work best.

Look for Big and Small

While you are scouting for, or shooting at you locations don’t forget to look for small objects. A collection of leaves on the ground can sometimes be more artistic than an array of multicolor trees in the distance.

Try to look at your location from every possible angle in order to take advantage of less than obvious shots. Also look for opportunities to capture reflections. Many times a scene’s beauty can double if it is also seen from a reflective lake, pond or river.

Steady Does It

Another easy way to improve your Fall photos is to use a tripod. If your shots are taken at a distance or in low light the tripod will help to keep you camera steady and your pictures sharp. The tripod will also help if you want to take the same shot several times using different camera settings. I have found that when you find the perfect composition, but the light is not quite right or something unwanted is in the frame, the tripod is indispensable.

Color is Key

Color is what needs to stand out in your fall photos, so you should consider using the vibrant mode setting on your camera if it’s available. If your camera is not equipped with this setting you can increase saturation to achieve the same effect.

You can also tweak your photos after the fact with a photo editing program. Programs such as Adobe Photoshop Elements and Corel PaintShop Photo Pro allow you to adjust exposure, saturation, and contrast to improve the overall look of your photos. If your photos were captured using the RAW setting on your camera you will have the maximum flexibility during the editing process.

No Comments

10 Things You Should Know About Your New SLR Camera

By Bethany Sell

You just bought your first SLR camera and can’t wait to start taking some awesome pictures with it. But the manual for your camera is huge, and you’re not quite ready to trudge through it.

So what are the basic things you need to know to be able to use your new SLR camera correctly? Here are some great pointers to help you take better pictures and possibly start a photography career down the road.

Shutter

The shutter speed refers to how fast your shutter is opening. The longer it’s open, the more light you’re letting in. If you have a slower shutter, you can capture motion blur; with a faster shutter, you’ll freeze the motion.

Aperture

Aperture, or f-stop refers to how wide the opening of your lens is. The wider it’s open, the more light you’re letting in. With a wide aperture, you’re lens blurs the background; with a small aperture, your background is more in focus.

ISO

ISO refers to how sensitive your sensor is to the light that’s coming in. The higher your ISO, the brighter your image. With higher ISO, you’ll see more grain or “noise” in an image than you do with lower ISOs.

So you’ve got to decide which settings you’ll be using to make your picture brighter or darker. When you let in more light with one, you have to let in less light with the other to get the same exposure.

Exposure

You’ve probably heard the term exposure when people talk about photography, but what does it mean? Well, it’s referring to how well-lit your picture is. So when we talk about getting a “good” exposure, that really depends on what elements of your picture you want well lit. If you’re going for a silhouette, you’re looking for a good exposure of the sky, but your subjects are actually underexposed. If you want your subjects’ faces brightly lit against a bright sky, you’ll have to overexpose the sky so you can get a good exposure on the subjects. So you need to decide which part of your picture to expose before you can figure out which aperture, shutter and ISO to use.

AV-Mode

You will likely see several settings on the dial of your new SLR camera that determine how much control you have over your exposure. With AV-Mode, you’ll be able to decide which aperture and ISO you want to use, and your camera will decide the shutter speed for you. This could be used when you don’t mind whether your shutter goes fast or slow, and you want to be able to switch between having your background blurred or in focus.

TV-Mode

With TV-Mode, you’ll be able to choose the shutter and ISO, but your camera will decide the aperture for you. This can be used when you don’t mind whether your background is in focus or not, but you need to be able to switch between freezing the motion or getting motion blur.

Automatic

With your camera on Auto, you won’t be able to choose any of the exposure settings because your camera will do it all for you. It does this by taking in light across the entire picture and guessing a proper exposure. This is most likely the mode people will choose when they have no idea how to operate the camera because it takes no effort or knowledge at all. But there’s no way for your camera to realize that a bright sky is throwing off the light meter, or that you are trying to capture a silhouette, so automatic rarely gives you the best picture. For the most control over your light settings, it’s best to use Manual mode.

Manual Mode

With your camera dial set to Manual mode, you have full control over your shutter, aperture, and ISO, and how bright or dark your picture turns out. You’ll also have control over your flash and how bright it is, or whether you want it going off at all.

Focusing

Your lens will likely have an option to autofocus (AF) or manually focus (MF). With autofocus you can use the red focusing dots inside your viewfinder to determine where the lens is focusing. This is an easy way to get your focus perfect without having to adjust it manually. With manual focus, you will be able to adjust the lens to the focusing distance you’re looking for without having to use the dots, but it’s often difficult to see whether you have a perfect focus inside a small viewfinder.

RAW vs. JPG

Another important feature you’ll get to change is the option of shooting in RAW or JPG. When shooting in JPG, your camera compresses all of the information about the picture as soon as it’s captured, making adjustments more difficult in post-processing. When you change the quality to RAW, your camera retains all of the information about a picture inside the RAW file, so you’ll be able to easily make adjustments to the picture after you’ve captured it in a program like Adobe Camera RAW or Lightroom. With RAW files you’ll be able to maintain a high quality picture even if while making dramatic changes to the image. The only downside is that RAW files are much larger than JPG files, so you’ll need a lot more memory both on camera and on the computer to store your images.

No Comments

Business in Photography

By Gary Davies

Louis Daguerre of Paris, France can be said to be the Father of Commercial Photography. His daguerreotype of processing an image captured from then “advanced-technology” camera obscura was the pivotal development in the history of photography.

Although his first photograph with a human person in 1838 was an “accidental shot” which took more than 10 minutes of exposure in order for the image to be captured into his camera, it paved the way to the commercialization of photography. It created a demand for photographic portraiture in the middle classes which could not be sufficiently served by then current and expensive method of oil painting.

Commerce and industry opened its doors to photography. From its initial commercial visage of portraiture, photography evolved into other mercantile forms and vehicles, where it picked up payment for the “images” depicted rather than attach value to the photographs as “works of art”. Among the many forms and industry uses of photography, the following are mainstream applications:

· Advertising photography that visually promotes products and services

· Fashion and glamour, usually employing models that enhance the products

· Crime scene photography as tools that offer clues and proofs to theories that help solve crimes and mysteries

· Still life photography depicting wonders that only photographs can convey

· Food photography, an area where food palatability is scrumptiously enhanced

· Editorial photography and photojournalism that successfully enhance and sensationalise news and stories

· Portrait and wedding photography that renders romanticism and sentimentality

· Landscape photography that serves to invigorate the tired soul

· Wildlife photography bringing realism to flora and fauna in their natural environments

· Paparazzi photography of freelance practitioners preying on usually “unsanctioned and unsolicited” personal photographs of celebrities, politicians, the prominent and wealthy that make juicy gossip items in prestigious publications

Aside from the top-class line of photography professions enumerated above, other businesses allied or related to photography have been an industry backbone that has contributed much to the economy of many countries, coming in different forms and modes:

· Manufacture of equipment, accessories, consumables, parts and tools

· Sales and servicing of equipment, accessories and tools

· Photography and videography studios and services

· Image and photo printing and reproduction

· Printing media manufacture, sales and distribution

· Archiving and storage of document and photo images

No Comments